Persians have long
upheld the study of music theory and musicology as well as performance. One of
the earliest musicologists known in Iran is Barbad who is known to have created
seven royal modes, 30 derived modes, and around 360 melodies. (These numbers
coordinated with the calendar at the time.) Dastgah is a type of music
characterized by haute culture and generally popular among the elite. There
were some early religious music, such as in Sufi music, but most Muslims didn’t
consider recitations as music. Musical theatre and opera actually existed
earlier than that of Europe.
Folk songs leant
itself to situational settings: weddings, lullabies, work songs, harvest songs,
etc. There are a variety of instruments used, but they can vary from region to
region. However, there are a few instruments that are commonly used throughout
the land: ney (a type of flute), dohol (a double-headed drum), and surney (a
type of shawm, or woodwind instrument resembling an oboe). Music across the
Persian regions, such as Khorasan, Kurdistan, Turkmenistan, and Mazandaran
utilize different musical textures, instruments and instrumentation, and
musical styles and techniques.
Like music, folk
dance also varies from region to region. There are several different types of
dances for different situations and genres, such as chain dances, war dances,
solo dances, and religious/spiritual dances. There are some dances that are
danced with pairs, some for men, and some for women. Some dances include props
such as sticks or swords; some dances are graceful while others are quick.
Probably one of the most common types of dance people are familiar with is
belly dance. It’s somewhat unknown where exactly belly dancing originated from,
but it’s very much a widespread style across the Middle East, the Levant, and
northern Africa.
Persians also had a
huge stake in classical and symphonic music, which didn’t really get its start
until the 20th century. Classically trained vocalists utilize different patterns and techniques as compared to Western music, and in a sense is closer to that of Indian music. Women were subjugated to only being able to
perform as soloists for other women or mixed groups. They also perform as
instrumentalists or in choirs. Many female singers left the country in order to
perform freely. There were also many Iranian composers who combined traditional
Persian techniques with Western styles.
When it comes to
popular music and what’s out there now, Iranian musicians enter into a myriad
of musical styles. From rock to rap, I have discovered a ton of
groups/musicians that I really like. And to be honest, I was fairly impressed.
Because of censorship issues, many Iranian musicians, artists, and writers have
fled the country throughout the past few decades to work abroad.
I found several
bands that fell into the rock and pop category. One band called 127 had quite
almost a 1920s jazz sound to it. They heavily relied on the piano, which I’m a
huge fan of in music. I liked what I heard from the band Hypernova. I thought
they were very well put together musically. Although the lead singer reminds me
of an Iranian version of the Crash Test Dummies. One thing that sets them apart
is that they almost exclusively sing in English. I listened to Mohsen Namjoo’s
album Trust the Tangerine Peel.
Making use of the acoustic guitar and a very rhythmic vocal line that often
appears almost whispered at times, it creates a very unique sound. The band
Kiosk definitely has a folk sound to it, and a few songs almost have a Jewish klezmer
band sound.
There were also a
surprising number of rap artists from Iran who I listened to as well. One that
I enjoyed was Erfan. His songs utilize strings and piano but also mixes in some
traditional instruments on top of your basic hip-hop drum beats and
instrumentations and styles. I thought his songs were pretty well put together
and offered variation in the styles of his songs. One artist who I enjoyed
listening to was Hichkas. He also made use of traditional instruments in his
songs, and I’ve noticed that many of his songs start out with a minimal motif and
then fills out the instrumental part as the vocal lines come in and generally
has a lot of energy in the songs. I’m always a huge fan of female rappers, and
Iran has one that I came across: Salome MC. While she mostly raps in Persian,
there is one song (“Salome’s Tale”) that is in English, and it only confirms
that rap and hip-hop is a catalyst for dealing with social issues, no matter
where you live. I have to give her dap for doing it knowing what environment
she’s producing this in.
Iran is also on the
map when it comes to electronica, house, and trance music. This is personally a
favorite genre of mine, and especially to my husband who was among the first
house DJs in Chicago when it first got its start. One duo I discovered is Deep
Dish, who is actually based in Washington, D.C. They definitely have an old
school Chicago house sound, and I absolutely love the album Junk Science. In fact, my husband is
making me buy it so he can have a copy. It’s the perfect album to listen to
while you are chilling or trying to work (which I’ve listened to many times
this week while working). DJ
Aligator is another artist I listened to quite a few times this week. His style
is a little more hard core club house. I love it. It makes me feel like we
should be jumping around the living room losing our minds. (That may or may not
have actually happened.) Arsi Nami’s music is more or less EDM/dance track
sounds to what could be pop songs (although one song I listened to is an old
Latin song and one is an extremely old Italian art song, as in I sang it in
voice lessons). I kind of liked it, too. I really enjoyed Omid 16B. It almost
seemed like a cross between minimal house and trance at times. What I enjoyed
was that it didn’t seem like the same old house beats and instruments;
different percussion instruments were brought in, and it really changed the
dynamic of the songs. Masoud is another artist that seems to be deeply in the
trance sound. I’m a huge trance fan, so I enjoyed his tracks.
Up next: the food
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