If there’s one word that can describe music from
Dominica, that would be diverse. It draws its influence from many different
places: Africa, other Caribbean islands, French, British, the Americas, Latin
America. But not only did they borrow styles and genres from other countries,
it also took these styles and developed their own variations and sub-genres as
well. It can be quite complicated to list all of these different styles of
music performed on this small island.
During the 1950s and 1960s, music from Caribbean
nations, especially Trinidad, had a lot of influence on Dominican music. Genres
like calypso, samba, merengue, and funk were commonly performed. Steel bands
also emerged and were widely popular as well. A Haitian genre called kadans or compas also landed in Dominica,
and Dominican musicians used kadans and merged it with other styles, like
calypso. Groups like Exile One and
The Grammacks were heavily influenced by not only kadans, but also zouk and
soca as well.
During the 1990s, Dominicans developed a new style
called bouyon music. One band in
particular, WCK (Windward Caribbean Kulture) was instrumental in developing
this style, which is more or less a fusion of cadence-lypso and jing ping
styles to create bouyon music. It tends to rely on a drum machine with
keyboards, cowbell, and guitars.
The language used is a mix of both English and Creole (also called
Kwéyòl) and is really influenced by dancehall and rap styles, making it more a
young people’s genre.
Starting in 1997, the World Creole Music Festival
is held every year in Dominica and features Creole music from all over the
Caribbean (including Louisiana’s zydeco).
Many people see this festival is the only festival aimed at celebrating
indigenous music in Dominica, and some even extend that to the Eastern
Caribbean. One day, I’ll definitely have to come.
Carnival is also an important time for music and
dance. A style known as chanté mas
or lapo kabrit is a call-and-response type of music is commonly sung at
Carnival – the lead singer does this while dancing backwards. Dancing and dance contests are always a
part of Carnival and other festivals. Some of the folk dances of Dominica have
their roots from French and British dances (like the quadrille, lancers,
mazook, polka, cotillion, schottische, contredanse, la ronde), but some have
their roots in African dance, like the famous bélé dance. This dance is accompanied solely by
drumming, and the dancer dances in the middle of a circle. There are actually two
dancers, but only one dances at a time, except in transitions.
One musician I came across is reggae musician Nasio
Fontaine. I’m a huge fan of reggae, and I’ve been listening to his album Universal City. I absolutely love this album. I asked
for some iTunes gift cards for Christmas, and I hope I get at least one so I
can buy this album. I think his
style has a lot of African reggae sound to it, very easy to listen to.
Of course, I also listened to Exile One’s album Old School Sessions: Green / Vert as
well as The Grammacks’ album 1974-1976
Grammacks Collection. I think The Grammacks remind me of early Bob Marley. The Gaylords were another group who came
out of the 1960s who played calypso and steelpan styles from Trinidad.
Up next:
the food
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