The music of
Grenada is pretty representative of the Caribbean. Several popular and
high-selling musicians have emerged from this island nation. Both British and
French influences mixed with African and Caribbean styles to create the sound
that Grenada and other nearby islands are known for.
Musical styles such
as calypso and soca tend to dominate Grenadian music, although reggae and
dancehall have their followings as well. One of the most noted calypso musicians
is known as Mighty Sparrow (even though he later moved to nearby
Trinidad). Calypso music developed
on the island of Trinidad from a mix of kaiso music and canbouley music, both
of which have their origins in West Africa. These styles were brought over during the slave trade when West
Africans were brought to the Caribbean islands to work in the sugar
plantations. Calypso started to spread to other French-controlled islands in
the West Indies.
Soca music stemmed
from calypso music in the fact that some of calypso musicians started mixing in
funk, soul, and cadence (a type of méringue from Haiti). It tended to spread among the
English-speaking countries in the Caribbean, but it wasn’t just limited to
those countries. Everyone enjoys a little soca music.
The island of
Carriacou, which lies just north of the main island of Grenada, is best known
for its folk music traditions. The most famous of these traditions is their
funeral rites, involving storytelling, feasting, and a lot of music (usually
performed in a call-and-response fashion). Carriacou is also known for its
style known as Big Drum. This
style pays homage to their African ancestors by means of short, rhythmic
phrases interspersed with choruses and accompanied by two boula drums (a type
of hand drum, most often made from rum casks) and a smaller cut drum, or kata,
having a higher pitch (also made from rum casks). If a family cannot afford the
traditional funeral festivities, the community will perform Big Drum music for
this as well.
Because of the cultural
influences from both France and England during its history, Grenadian music and
dance used bits and pieces of both cultures. Dancing, and especially African
dancing, was forbidden when the slave owners realized they were using it to
communicate to each other. But rather than paying musicians and dancers from
England to entertain them in Grenada, they taught the workers the quadrille and
other dances. (The quadrille actually came to England by way of France.) Of course, the Africans there used it to mock the Europeans and ended
up modifying the dance a bit. It generally is danced with four women and four men
standing in a square, and the dancers either dance somewhat rigidly in a formal
setting, or in a more free-flowing fashion when in a casual setting.
Tambourines, triangles, violins, and bass drums are the typical accompaniment
to the quadrille dance.
I listened to Eddie
Bullen’s album Desert Rain. He’s one
of the more popular musicians to come from Grenada. I would place it the soft
rock category, and I could totally imagine hearing this in a grocery store
somewhere. Or if someone were trying to “create a mood” and turn the lights
down low. Yeah, I could see that.
David Emmanuel’s Bird of Paradise album was pretty
enjoyable. In a groove reggae style, I could totally sit back with a Red Stripe
(sorry, I know it’s Jamaican, but it’s the only Caribbean beer I know) and just
chill. Still occasionally venturing over to the “creating a mood” side of
music, the reggae beat is its only reprieve. However, it ended up moving away from reggae back to the same styles as Eddie Bullen. It's not terrible, except that I was really liking the reggae stuff.
I also listened to
Mighty Sparrow’s album First Flight.
He emerged during the 1950s and performed into the 1990s, so his music reflects
many of the styles during those times. In my opinion, the melody lines reflect some slight British musical styles with West African overtones: simple melodic lines that stay in the key, but the
instrumentation includes drums, saxophones, trumpets, and guitars – it almost
reminds me of the dance bands from the 1930s and 1940s in the US. I really like
this music, and I could listen to it all day.
Up next: the food
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